Manushulu Mamathalu, Secretary Sobhan Babu, Krishna and Murali Mohan were the other ‘novel heroes’ in her films like There was no looking back since.Īkkineni Nageswara Rao, bolstered by the success of films adapted from novels, frequently played the protagonist in films adapted from her books including Kalaathetha Vyakthulu the film was based on. Her tryst with Telugu films began with Adurti’sĬhaduvukunna Ammayilu in 1963, where she had filled the void created by the untimely demise of novelist P Sridevi whose Telugu cinema didn’t take long to acknowledge her writing prowess, adapting many of her novels for the celluloid screen. When verbose, chaste Telugu literature was ruling the roost, she opened Telugu readers to the complexities of urban relationships in her simple yet alluring style, and to the working of a woman’s mind. Not all writers merely weave tales, some also serve as a reflection of the times they live in.
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